Installation view, from left to right: Ann Messner, Evan Robarts, Alex Ito
Installation view, from left to right: Raque Ford, Kermit Love, Dean Levin
Installation view, from left to right: Paul Rand, Alex It, Raque Ford
Installation view, from left to right: Raque Ford, Alex It, Terry Winters
Evan Robarts, New Speak, 2017, Epoch Weekend newspaper racks, 58 x 41 x 13 inches
Ellsworth Kelly, Study for Three Color Panels, 1952-53, ink and graphite on paper, 7 x 8.25 inches, courtesy of Matthew Marks Gallery
William T. Williams, Easy Dreams, 2008, collage of acrylic painted paper on Masonite, 30.25 x 21.75 inches, courtesy of Michael Rosenfeld Gallery
Paul Rand, courtesy of The Museum of the City of New York
Paul Rand, Westinghouse Advertisement, Atomic Power...and the race to outer space, 1963, 11 x 8.5 inches, courtesy of The Museum of the City of New York
Paul Rand, T he Dada Painters and Poets by Robert Motherwell, 1967, 10 x 8 inches, courtesy of The Museum of the City of New York
Paul Rand, Ad for Container Corporation of America, 1954, 11 x 8 inches, courtesy of The Museum of the City of New York
Paul Rand, Ad for Container Corporation of America (Torch Flame), 1946, 10.75 x 7.75 inches, courtesy of The Museum of the City of New York
Pat Steir, Vibrating Blue and Red Waterfall, 1993, oil on canvas, 48 x 48 inches, courtesy of Lévy Gorvy Gallery
Alex Ito, Hate (Trinity 3), 2016, oil on canvas in aluminum frame, 28.5 x 23.5 inches
Raque Ford, Dear Devil, Love Georgia, 2016, Plexiglas, Magic-Sculpt, 50 x 102 inches
Kermit Love, Smurf, 1981, reticulated foam, nylon fleece, plastic, wood, yarn, felt, rubber, springs, cotton, courtesy of Ryan Dillon
Kermit Love, Snuggle Bear, 1983, reticulated foam, nylon fleece, plastic, wood, yarn, felt, rubber, springs, cotton, fake fur, courtesy of Ryan Dillon
Dean Levin, Untitled (Black & Black), 2017, fiberglass reinforced plaster and oil on cotton, 40 x 22 inches, courtesy of Marianne Boesky Gallery
Terry Winters, Inflection, Vector, Frame / 8, 2009, graphite and gouache on paper, 22.5 x 30 inches, courtesy of Matthew Marks Gallery
Raque Ford, Will always be a loving fan, 2015, acrylic, chain, synthetic hair, 52 x 40 x 38 inches
Ann Messner, a love story, 2017, 96 pages, color offset full page photographs, 10.5 x 8 inches, 11/50 signed copies
Ann Messner, a love story
Evan Robarts, Threshold, 2017, door frame, starphire glass, steel hardware, 48 x 72 x 24 inches
Alex Ito, Hate (Trinity 2), 2016, oil on canvas in aluminum frame, 28.5 x 23.5 inches